Christian Haotian Qi, one of Australia’s finest operatic tenor, holds a Master's in Opera Performance from the University of Sydney. Renowned for his exceptional talent, he has received prestigious awards, including the Top Prize at the Theodor Leschetizky International Music Competition in Vienna, Gold Award at the La Fenice International Opera Competition in Italy and many more. Beginning his operatic career as a formal member of the Moffatt Oxenbould Young Artist Program with Opera Australia, Christian has left his musical footprint across the globe. His performances have graced stages in Italy, France, Germany, Austria, Switzerland, and Singapore. Notably, in 2013, after winning the gold prize at Theodor Leschetizky Music Competition, he received a full scholarship to pursue further studies in Vienna, Austria. His musical endeavors in Vienna included concerts at renowned venues like Haydn Music Hall and Caesar Music Hall, where he received recognition from the Mayor and Parliament President of Austria. From the Baroque era to contemporary works, Christian Haotian Qi adeptly and accurately portrays a variety of roles. In recent years, his frequent performances in major Australian theaters have garnered enthusiastic responses. Notably, he was invited to star in the world's first English-language opera production of "The Butterfly Lovers" in Singapore, achieving remarkable success. Christian has taken on pivotal roles in productions at the Sydney Opera House, including "Carmen," ”La Boheme,””Barber of Seville,”and more, earning unanimous acclaim from mainstream media. His music career has been featured in publications such as "Sydney Morning Herald", “SBS TV”and “Chanel 10” in Australia. “As Don Giovanni Haotian Qi was terrific and suave, a more than lusty Lothario, sophisticated and in glorious seductive voice . he was menacingly predatory, seemingly charming but dangerous, saucily vicious and yet frustrated at the way the complicated events often frustrate him. He is defiant and pleasure-seeking right to the end.” —— review from “Sydney Art Guide”